Endless Lands is a fantastical RPG about traveling across the titular lands. As laid out in the rule-book, the game begins with everyone sitting down to talk about what kind of game they want to play, and then building the world that allows them to do so. The campaign’s Great Threat is discussed and decided on, all before the characters are created. Character creation is not particularly difficult, and the rules are simple enough to learn quickly and master easily.

Lancer is, to quote the book: “a mix of gritty, mud-and-lasers military science fiction and mythic science fantasy, where conscript pilots mix ranks with flying aces, mercenary guns-for-hire brawl with secretive corpo-state agents, and relativistic paladins cross thermal lances with causality-breaking, unknowable beings…players adopt the roles of mechanized chassis pilots — mech pilots — comrades together in a galaxy of danger and hope.”

The system itself is quite rich. With a defensible claim to the most strategically balanced RPG currently available, Lancer is a system that requires careful consideration of forethought, resource management, teamwork, and luck. There are ranges, area-of-attacks, damage types, conditions, statuses, hit points, stress points, structure points, core powers, and more. By managing to make all the complex economies interact and play off each other in a dizzying array of complexity, Lancer manages to make each combat a puzzle.

I described FATE as a system earlier; but my description was a poor one, abbreviated to get to the point I wanted to make. The actual rules of FATE are more detailed and interesting than I perhaps first made them sound.

Characters in FATE Core have two fundamental things that influence their abilities: aspects, and skills. Skills are simple enough; they’re what your character is good at and have a numerical value from 0 to +5, usually. Aspects are simple sentences that apply to your character. “The best star-pilot in the galaxy” is an aspect, for example. Or perhaps “Never gonna take no guff from nobody.” They can be quotes, phrases, explanations, descriptions; anything the player and GM agree describes the character narratively, rather than numerically.

Richly Gothic in tone, Blades in the Dark sees you and your fellows playing scoundrels in a wrought-iron steampunk city, working together to score heists, claim fortunes, and establish yourselves in positions of power in the city. The world is well designed, providing a fertile ground for intrigues, cloaks-and-daggers, and unseen dangers. Character design is detailed, including character sheets for each individual as well as the gang as a whole. You pick your backstory, select your class, put points into your skills, and set out to make or take your fortune.

GURPS is technically not an RPG, but an RPG System. It’s a distinction without much of a difference; an RPG is at once distinct-from and inexorably-linked to the ruleset used to play it. It could be said that D&D is a system, while settings like Greyhawk, the Forgotten Realms, or Ravenloft are the actual RPGs.

At the same time you could call Greyhawk a game setting, and say that The Keep On The Borderlands module that you’re playing is the actual RPG. Or you could call The Keep On The Borderlands a pre-built adventure, and it’s not until you and your friends are sitting around a table rolling dice that there is an actual RPG, but that’s mostly a matter of taste.

What If We Kissed calls itself the “same genre of thing as Dungeons & Dragons,” and I understand the mistake.

As I said before, for better or worse D&D is the entry point for most anyone who is curious about RPGs. Unless they have a friend who is both well versed in RPGs and believes D&D is an imperfect introduction to the medium, a newcomer is first going to take a look at D&D. There’s no avoiding it.

Dungeons & Dragons, as you may know, is an RPG.

No, that’s doing it a disservice. D&D is the RPG.

Arguably the first of its kind, D&D certainly became the definitive example of the medium. It has dominated the cultural dialogue about RPGs to the point that even if you know nothing about RPGs, you’ve still heard of Dungeons & Dragons. It’s difficult to explain how ubiquitous D&D is as a concept, not just a game in and of itself: It has spawned books, clones, parodies, movies, and even a children’s cartoon show, although we can probably blame that last one on the ethos of the 80s more than any inherent merit.

You probably have an image in your head about what Tabletop Role-playing Games “are.” Even if you’ve never played one, you have a shape in your head, defined enough that you can see a group sitting around a table with dice, paper, pencils, and a cardboard screen and say “ah yes, that is an RPG. I saw it on Stranger Things.”

Some non-fiction musings and thoughts about things.

• Now With Added Ko-Fi
• A Word on my Solo Style
• What We Deserve
• Behind the Scenes — Part 2
• Behind the Scenes
• Playing the Bad Guy
• Thoughts on Mx
• Thoughts on Gender Neutral Titles
• Fan Fiction
• A Brief Look at Grimdark: Part 2
• A Brief Look at Grimdark
• A Brief Look at Genre
• Two Paths Diverging
• A Kind of Slur

My work is, and shall always remain, free on this website. I don’t believe in gate-keeping my work from people who don’t have the money to spare on subsidizing my art.

That said, I do like food…

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