Sacrifice is a universal RPG system, though only technically. In practice, Sacrifice is a deconstruction of the entire RPG medium and dramatic storytelling.

There is, in fact, only one simple set of rules: your character can do anything that the narrative has established your character can do. When they want to do something that the narrative hasn’t established they can do, then they roll 2d6. If they roll a 12, then they succeed. If they don’t, they fail… unless they sacrifice something.

.dungeon is a pretty simplistic RPG in a lot of ways. With a MMORPG dungeon-crawling aesthetic, the game taps into virtual RPG simplicity. You assign dice to your stats and roll the dice any time you want to do something. Roll high enough, and you do. Roll lower, and you don’t. Pretty simple rules-light stuff.

But there is one specific difference: .dungeon’s ludo-narrative taps into the meta-narrative of the game. Put simply, the real world affects the game-world.

Noblesse Goblige is a competitive GMless RPG based in Verdibog, a cosmopolitan goblin city in a swamp. In it, you play as a scion of one of five major goblin clans, each of which has a claim to the title of Gob-Boss after the current Gob-Boss, Lady Stinkworth, died without naming a successor.

Each player plays a character from a different clan, each with the goal of manipulating their way to the top of the successor list, bringing power, prestige, and lots and lots of money to their clan. Only one can be crowned, so political backstabbing, frontstabbing, and actualstabbing is in everyone’s near future.

When he was sufficiently armed with the scripture of the ages, Edmund removed the last nails from the tapestry and pulled down the rest of the crumbling wall..

From the front, the statue looked like a beautiful marble statue that wouldn’t move, no matter how long Edmund prodded at it. Around the back, however, was a large opening at the base of the woman’s torso. A few frayed threads stuck to two threaded bolts suggested the opening had once been covered by a piece of cloth, and perhaps it still would have been, had the rat not found it before Edmund.

Mission Accomplished is an RPG inspired by shows like Archer, The Venture Brothers, and Better Off Ted. It’s a game about being a team of super-spies who save the world on a weekly basis, usually in 30-45 minute increments. You drop into dangerous situations, mix things up, and then get out of there and back to HQ, a job-well-done.

But that’s only half of the game. The second half is the HR meeting, where the complaining, bickering, and blaming happens. The cooperative game of saving the world suddenly becomes the competitive game of credit-stealing and finger-pointing.

You Awaken In A Strange Place is an RPG.

Juuuust barely.

I mean, take a look at it; there’s barely anything there. The core tenet of the game is that everyone comes to the game unprepared. If you want to play this system, the first thing you have to do build the system itself. I mean, you have to call it a sandbox, don’t you? There’s nothing to railroad. The GM is given five minutes after building the characters to make notes before the game officially starts, like some perverse scholastic speech-and-debate competition.

Darkspace is an RPG, though I’m not sure the game would agree. As far as it’s concerned, it is, quote: “an immersive sci-fi experience. Five players take on the roles of the crew of the Triton, an ill-fated cargo ship alone in dark space. The captain, the doctor, the mercenary, the corpo, the synth — one of you is a murderer. Will you solve the mystery of the Triton before the ship’s life support fails?”

It was almost dinnertime when they finally stopped. Edmund had lost every game.

Before they started, Edmund was skeptical; Draughts looked perfectly balanced to him. Both sides had the same number of pieces, the same rules for movement…any game had to end in a tie, or at least be very close.

By the end of the sixth game, Edmund had learned differently. He was beginning to see the whole board at once and to plan more than a single step ahead. He was finding pleasure in small victories; he had captured three of Junapa’s pieces in the last game and even kinged one of his own.

Inspired by Annihilation and Roadside Panic, QZ is about the Quarantine Zone; a place where the laws of nature decided to take a holiday and turn the area into a surreal fever dream. The game itself is not a horror game, nor comedy, nor drama; but the QZ can be horrific, funny, and dramatic in turn.

In the instructions on how to use the rule-book, the book clearly states that the game was designed to be played as a sandbox.

Lady Blackbird is, in fact, Chapter one of Tales from the Wild Blue Yonder, three pre-built one-shot adventure modules where you play as pre-made characters, in medias res, with a carefully constructed scenario for you to play through in an attempt to fulfill your character’s goals.

It’s not as locked-down as that makes it sound. For all the pre-building these characters have gone through, there is a lot of flexibility in how the characters are played and how their backstories are revealed. You spend dice to do certain actions, and you can regain those dice by inventing and revealing bits of your backstory to other characters. You get bonus dice or XP whenever you do something that connects with your characters motivations, but its up to you how they connect. You can also buy off certain motivations and replace them with others if — in narrative — your character changes their mind.