The sour scent of rancid meat and decaying flowers was faint in the air, this evening. Bally thanked the heavens for small mercies, before catching himself. Any thanks that made their way through the thick clouds would certainly echo in empty halls of marble and gold.

Who had said the halls of the heavens were marble and gold? Bally scratched his nose in thought. It hadn’t been Old Grunby, the dottering hag-priestess, whose joints cracked like crumbling cliffs every time she moved, and spoke of the gods with the passionate furvor of an ancient shaman dancing around a bonfire. It hadn’t been the dottering monk…what was his name…Teek? Yes, that was it. The perpetually grinning old soak spun tales of the heavens like a father lulling his children to sleep, slurring his littanies with both ale and wandering tangents. No. It hadn’t been him…

Who had it been?

I have championed the idea of Cold Opens and Session Zeros, but perhaps been a little coy about the practicalities. What sort of questions and discussions should go into a Session Zero?

There are some obvious answers, such as establishing Lines and Veils, to say nothing of setting and system; but I’ve spent a long time discussing how much more complex a game is than just setting and system. What about Tone? Best practices? Table expectations?

Well, a lot of that requires very personal answers, but I can offer a few ideas. What follows are some suggestions based on what I’ve gleaned from my looking into the genre and importance of Session Zero conversations.

So, what’s all this then?

Well, it turns out that people didn’t stop making RPGs once I finished writing and posting The RPG Medium. Go figure. On top of that, it turns out that there are a lot of games that I didn’t see before I wrote the treatise, some of which fit better than the ones I had chosen to support a specific concept or question.

I’m not going to rewrite my old work, but over time enough new RPGs have crossed my path that it makes sense for me to continue the treatise; an Errata, if you will, that brings in new ideas and supports some old ones.

So to start with, I’d like to lay out a few assumptions going forward; things that are important, but aren’t substantial enough to warrant their own post.

A month and some change later, and I’m back.

Am I ready to be back? That’s a different question. I have pondered the idea of extending my hiatus, but that way lies inertia, and I have enough issues with that these days, thank-you-very-much.

So every concern must be dismissed. My buffer is still unsatisfactory…but what would be enough? Noriama still little better than a second draft? Let it be seen anyway, warts and all. Celestial not even half finished? Slow down your posting schedule. Nothing I write is good enough? It never will be, no matter how long you delay. Your ashcan RPG currently stalled out because you need playtesters, and scheduling is a problem? Post it anyway, perfection be damned!

I swear I didn’t plan it this way.

I wouldn’t have if I could have; I’m put now in a somewhat difficult position of wrapping up both The Poems of Madam Albithurst and The Watch in the Sand in one post. I’d rather do it over two, but time and tide wait for no one; So…

The Poems of Madam Albithurst

Did my experiment work? It’s obviously not my place to say. There is a delight I’ve found in the bizarre and otherworldly tone of the Myriad Worlds, where the people and customs are as clear and distinct as our own, if decidedly unfamiliar. I am currently working on a guidebook to the entire Velvet, and that might not have happened without this experimental work.

November 15, 2048

Serious discussion begins on the Boards on how to restructure the governments of the world, given the advances in communication and Nanocule technology. Some in America suggest decentralizing the major halls of policy; demolishing the White House, 10 Downing Street, the Kremlin, et. al., and moving all official correspondence to the Boards. Others argue for dismantling the concept of representative government entirely, and moving to a pure democracy. Officials from multiple levels of government reject all suggestions.

And that is how my poem ends.

A satisfying ending for myself, and certainly for my companions, though I am sure it hasn’t entirely ended for all of them.

Mx. Image and Mr. Porist, of course, left for the Tides of Three Shades, though Mr. Porist seemed far more insistent than Image. The poor Marq turned an eye towards me with a mild click of bemusement before they both left. I think our chitinous friend had already attained more than xer goal could provide.

Now I suppose you desire an explanation for what happened once we had finished our dance. Alas, this is a poem, and poetry provides truths not through narrative, but through thought, heart, and soul.

The Great Construction was completed, but so far I think never used. The engineers and scientists went home, happy with their efforts and with the simple assumption that someone somewhere might finish it someday. A commonplace occurrence for those who are only responsible for the middle of a project. Those who begin and those who finish, they never have the luxury of contentment.

The door was large and steel. The room was cold and dark. My Archonarchian friend ushered me inside, and closed the door behind me. The light came from high above, creating a cold silver circle for me to stand in.

I certainly felt at the time that the dark emptiness was a refreshing change from the chaotic outside. The noise had given an ache to my head, and now I found myself at rest. But it was not long before the soothing respite was broken by the sound of approaching steps. In moments, another light shone down from above, a second circle of silver, a moon drawing ever closer to mine. In the middle of the circle stood a man I had seen before.

June 20, 2036

An upgrade is released to the Boards, allowing Nanocules to record sensory input, rather than requiring an external phone or recording equipment. Hand-held devices are now unnecessary to completely utilize the Boards, as video recording is done through the users eyes, while audio recording is done through their ears.

Physical recording equipment begins to disappear. Professional cameramen begin to train themselves to keep their gaze steady without blinking for long periods of time, while sales of professional recording equipment drops sharply, as even the high end recording devices cannot compete with the perfect quality and ease of Nanocules. Indie film developers begin experimenting with this new recording medium, creating ‘Personals’ — stories filmed by the actors, and viewed in first person perspective.